Jul 25 2010
Watch The Gay Divorcee Online
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Watch The Gay Divorcee Online.
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THE Satisfied DIVORCE had been perhaps the most indispensable stage musical of Fred Astaire’s Broadway career. Though out the 1920s, he had been the lesser half of the most notorious dance team in American entertainment: Adele and Fred Astaire. Fred’s sister, an enormously gifted funny dancer, had been the center of the act throughout their career, but when she retired to marry English royalty, Fred was placed in the area of needing to reinvent himself and come by his career. Somewhat unexpectedly, Fred’s tremendous success in THE Ecstatic DIVORCE established him not impartial as a droll dancer, but as a romantic one as well. An offer by Hollywood to near and remake the stage success as a film was common.
Fred arrived in Hollywood, but his studio, RKO cast him in FLYING TO RIO before beginning THE Tickled DIVORCE. Although he was fifth billed and the third billed male, his dance numbers with a contract dancer RKO had honest obtained from Warner Brothers, Ginger Rogers, were the hit of the film. Against his wishes, RKO suggested casting Rogers in THE Jubilant DIVORCE because of their success as a team in FLYING TO RIO. That was what Fred was troubled of: a team. He had fair managed to shatter free from being conception of as the lesser half of Adele and Fred, and he was hesitant about a fresh partner. But RKO won out and, as they say, history was made.
THE Ecstatic DIVORCE was speedily redubbed THE Blissful DIVORCEE (the Hays office objecting that divorces could not be elated but were instead always dejected affairs, although a divorcee could be) . Fred was given nearly complete artistic control of his dance numbers, and instead of the highly choreographed numbers popularized by Busby Berkeley at Warner Brothers, Fred argued for filming his scenes with cameras unprejudiced barely above ground level, and as finish to one shot as was possible. The result was an emphasis not on visual pyrotechnics, but on the intimacy and emotions in the dance.
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The results were resplendent. Although most of the songs from the stage musical were jettisoned, the greatest was kept, and in many ways it remains one of the mythic numbers in the history of musical cinema: Cole Porter’s “Night and Day.” The number defined for all time what Fred and Ginger were all about. Until this moment in the film, Fred had been futilely chasing Ginger, only to be rebuffed time and again. But once he begins to jabber “Night and Day” she begins to have a twinge of interest. And once he grabs her arm and begins to dance with her, we manage to scrutinize one of the gigantic seduction scenes in the movies. At the beginning of the song, she tranquil has no interest in him; at the demolish of the dance, they are in fancy. Although Ginger was never Fred’s equal as a dancer, she was astounding in the manner in which she could reply emotionally to him in their dancing. Their dancing is so very nearly like love-making that we are not at all surprised that as the dance ends, and Fred’s gently spins and lowers Ginger onto a couch, he rocks benefit on his heels, reaches into his jacket, and pulls out his cigarette and offers one to her. It is as perfect a moment as exists in film.
THE Blissful DIVORCEE succeeds primarily because of Fred and Ginger’s fantastic magic together, but it is also a delight because of the extraordinary comedic cast. Erik Rhodes, a native of Tulsa, Oklahoma, had only two significant roles, both times as an Italian in two classic Astaire-Rogers films. In this film and in TOP HAT, he manages to recall nearly every scene he is in. Edward Everett Horton and Eric Blore both were so perfect in their roles that they reappeared in several other Astaire-Rogers films. Alice Brady brings her classic insanity to the film.
The film, of course, achieved Fred Astaire’s worst fears, and gave him a modern partner. But given the extraordinary success of Astaire and Rogers, I don’t mediate anyone believes that this was in any sense an dismal turn of events.
Fred Astaire plays a dnacer returning to England from a promenade abroad. In the Customs shed he meets Ginger Rogers in an embarassing quandary. He tries to glean out who she is, but she refuses to scream him, and he spends ages searching London for her until he finally tracks her down and begins to awaken her interest. Ginger goes down to Brighton with her friend dithery much-married Alice Brady, and Astaire and his dithery lawyer friend Edward Everett Horton go in pursuit. Ginger has gone to Brighton to try and earn a divorce, she intends to exercise the night with a professional co-respondent. Somthing Astaire says makes her deem he is the co-respondent, which puts her just off him. Fortunately the trusty co-respondent, a cramped Italian, turns up (“your wife is trustworthy with Tonetti,he engage spaghetti”) and the mystery is sorted out. But what will happen when Ginger’s husband arrives the next morning? will she regain her divorce. This is a incredible film, with a amusing but extremley comical space, and some amazing dialogue, particularly between Horton and Brady, who somehow manage to kill up married to each other, powerful to their surprise. An absolutely exquisite film.
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